Up the Sunbeam

Our house has no front windows. It didn't occur to us when we bought the house that this would be a big deal, but we have discovered over the last 10+ years that it is sort of a big deal. You can't see anything that's going on in front of the house without running upstairs. It's a weird feeling. One of the first things we did was to replace the solid double doors at the entry with a single door with decorative side panel windows. Two slim slivers of glass, faceted decorative glass at that, through which light can come in and we can peer out. I feel like a peeping Tom when I look out these windows, bending down to put my eye up to the little bits of glass that give a true view, trying to see who rang the doorbell, or if my kids are home yet.  Unlike the peeping Tom, I'm peering out, not in! This morning, I rounded the corner from the dining room on my way upstairs and I saw the facets of my beveled, leaded glass windows glowing with what was...

- Time. Impossible to pin down . . . impossible to hold back . . . impossible to hurry . . . impossible to keep . . . impossible to ever have enough. I can't decide whether to be happy to see 2009 flow away or to savor the last few drops of it--so I choose both. That seems to be the way when I'm grappling with mixed emotions. It is seldom a one-or-the-other conclusion. Today I skimmed through the entries of this year's prayer journal where I have poured out my heart to the God who can handle whatever I bring Him. While it is by no means complete, I read with amazement some of my most intense in-the-mome nt processing of life through 2009, including the ugly, scary monsters in my closet, the ravenous grizzly bears under my bed, and the just plain old ugly things in my heart I had to show my Father. Even more than these, I got to read the answered prayers, the good and perfect gifts, the unexpected Godlight He shone into my ...

My camera is one of my favorite teachers. When I look through my viewfinder, there is a useful little rectangle in the center called the focus area. As I decide how I want to frame my picture, I can place that focus area indicator on specific parts of the scene and lock in the focus, which will help me make some important decisions. One decision I have to make is to choose the subject of my pictur e. What am I trying to capture? What does the scene in my viewfinder say to me? What best conveys the beauty I see? Is the whole scene important, or is there one detail that I want to highlight. I can dramatically change the way a picture looks just by picking different focal points in the same scene. Another decision is how much of the picture I want to be in sharp focus. For some kinds of photography I may want the whole scene to be uniformly as sharp as possible. For other shots, I may want only one aspect of the scene to be in crystal clear sharpness and leave the re...